Archives - Séminaire CRLC

Séminaire CRLC

25 avril 2013 - Chris Tanasescu

 
 

14:30-16:30 Translation workshop with MA students in English studies
bldg. V, room 406

 

17:00-19:00 Reading and multimedia performance by Chris Tanasescu with Margento
bldg. V, Amphitheater

11 décembre 2013 - An Encounter with Ben MARCUS

 
Organized by Brigitte FÉLIX and Stéphane VANDERHAEGHE for "Transferts Critiques et dynamique des savoirs" (EA1569, Université Paris 8 Vincennes - ­Saint-­Denis), in collaboration with Hélène AJI for ELAN (CREA, EA 370, Université Paris Ouest Nanterre La Défense).
 
 
 BEN MARCUS is a professor at Columbia University’s School of the Arts and the author of five books of fiction : Notable American Women (Vintage, 2002), The Father Costume (Artspace Books, 2002), The Age of Wire and String (Knopf, 1995), The Flame Alphabet (Knopf, 2012), and the forthcoming collection of short stories, Leaving the Sea (Knopf, 2014). His stories, essays, and reviews have appeared in Harper’s, The New Yorker, The Paris Review, The Believer, The New York Times, McSweeney’s, and other publications. Marcus is the editor of The Anchor Book of New American Short Stories and serves as the fiction editor for The American Reader. Marcus studied philosophy at New York University (BA, 1989) and fiction writing at Brown University (MFA, 1991). A John Simon Guggenheim Memorial Foundation Fellow in 2013-­14, he has also received grants from the Creative Capital Foundation (2009), a 2008 Morton Dauwen Zabel Award from the American Academy of Arts and Letters, a Whiting Writers Award, a National Endowment for the Arts Fellowship in fiction, and three Pushcart Prizes.

27 mars 2014 - JUST ANOTHER SOFT MACHINE…

 
 

Organized by Brigitte FÉLIX for CRLC (“Transferts critiques et dynamique des savoirs”, EA1569, Université Paris 8 Vincennes-Saint-Denis), and Hélène AJI for ELAN (CREA, EA 370, Université Paris Ouest Nanterre La Défense).

 

15:00-15:10Introduction (Hélène Aji and Brigitte Félix)

15:10-15:30 Lecture : “Just Another Soft Machine : Subjectivity in Quotational Writing Practices”

15:30-17:00Reading from No Wait, Yep. Definitely Still Hate Myself  and discussion

 

 

Robert Fitterman is the author of 14 books of poetry including No Wait, Yep. Definitely Still Hate Myself (Ugly Duckling Press, 2014), Rob’s Word Shop (Ugly Duckling Press, forthcoming, 2015), Holocaust Museum (Counterpath, 2013, and Veer [London] 2012), now we are friends (Truck Books, 2010), Rob the Plagiarist (Roof Books, 2009), war, the musical (Subpress, 2006), and Notes On Conceptualisms, co-authored with Vanessa Place (Ugly Duckling Presse, 2009). 

His long poem Metropolis, has been published in 4 separate volumes. He teaches writing and poetry at New York University and at the Bard College, Milton Avery School of Graduate Studies. 

His writing can be found at his website : http://homepages.nyu.edu/ rmf1/

 

16 juin 2014 - Réflexions autour de la recherche-création Practice-led research

Réflexions autour de la recherche-création
Practice-led research
 
Séminaire
EA 1569, “Transferts critiques et dynamique des savoirs”
Axe "Littérature et cognition.
Textes contemporains et textualités numériques"
 
 
Lundi 16 juin 2014
13h30-17h30
bâtiment B2, salle 313 (3e étage)
 
 
 
13h30 Accueil et présentation (Brigitte Félix)
 
 
13h45-14h35 
Maria Muresan, “Oral Performance Poetry”
 
 
14h35-15h25
Michael Joyce, “All Around Here : an Examination of a Locative and Plurilingual work in progress”
 
 
Pause café 15h25-15h45
 
 
15h45-16h35
Yves Abrioux, “Art, Research, Technicity”
 
 
16h35-17h25
Lucile Haute, “Méthodologies collaboratives et stratégies de coproductions dans la recherche-création (étude de cas pratiques)”
 
 
17h30 Clôture du séminaire